Sunday, May 25, 2008

Nicholas Chase with The Illuminated Corridor at the 2008 Whitney Biennial



Saturday, May 31 (Rain or Shine!)
8:53pm (Civil Twilight)
Gansevoort Plaza, Manhattan
At the intersection of Gansevoort, Little West 12th, 9th Ave., and Greenwich
Admission: Free
www.illuminatedcorridor.com

Nicholas Chase with NOVA: The Illuminated Corridor at the 2008 Whitney Biennial
Chase joins the San Francisco based Illuminated Corridor for the 2008 incarnation NOVA, creating a new film-sound installation on the streets of Manhattan. Illuminated Corridor joins forces with Neighborhood Public Radio to re-light Gansevoort Plaza in the Meat Packing District of Manhattan in a one-night-only outdoor performance of watchable radio. One of the culimating events of NPR's "American Life" exhibition at the Whitney Biennial 2008, this Corridor explores all manner of NOVA: heavenly event, (ir)rational inquiry, cataclysmic variable, and rumbling imperative. A dozen or more artists will set up projectors in Gansevoort Plaza to project original, experimental film and video onto plaza surfaces and selected facades. The projections will be accompanied by a live radio broadcast, hosted by Neighborhood Public Radio. You are invited to bring a portable radio to listen to the live broadcast and to walk among the artists, musicians and projections as they infiltrate and illuminate a city street with experimental outdoor cinema.
More about this event here illuminatedcorridor.com/20080531.html

Nicholas Chase NOVA: Street Transmissions

Chase's contribution to the NPR/Illuminated Corridor NOVA event channels the presence of passers-by through television and radio and re-organizes and re-interprets them into a surreal, sceneographic composition entitled Street Transmissions.
More about the project at nicholaschase.blogspot.com
Street Transmissions is made possible by a generous grant from the American Composers Forum of Los Angeles and San Francisco.

Dubbed by LA Weekly as an 'Eye/Ear Explorer,' Nicholas Chase's audio visual work has been acclaimed as 'pushing the edge.' Chase's electro acoustic musical compositions have been performed internationally by ensembles and soloists alike, featured at venues such as Stanford University's Center for Computer Research in Music and Acoustics (CCRMA), the Van Abbemuseum in Eindhoven, Holland and as part of the Weimar-New York festival in Weimar, Germany. Future events include the opening of Untitled: An Installation with Xiaoping Zhen and the BauhausFM Experimental Radio in Berlin, the world premiere of Considering Light by the Los Angeles Wholesale Orchestra in Los Angeles and a tour of solo audio/visual performances culminating in a residence at the 12th International Festival of New Music Plus at the Janaçek Academy of Music.
Details about events at www.nicholaschase.net

The Illuminated Corridor
The Illuminated Corridor is a next step in outdoor cinema: a nomadic public art project that creates site-specific illumination of public space, drawing on local traditions of film and live music. Working with unlikely natural and built spaces, The Illuminated Corridor has convened six times since the Summer of 2005, catalyzing site-specific work,showcasing diverse collaborations between performative projectionists and musicians, and covering a vast territory of film and music genres.
Project co-oridinator Suki O'Kane
More about The Illuminated Corridor at www.illuminatedcorridor.com

Neighborhood Public Radio
NPR contributes 'American Life' to the 2008 Whitney Biennial and has has installed a broadcast point inside the Whitney Museum. In addition NPR has been transmitting live talk, music and experimental sound shows created by gallery visitors, artists, activists and community members, from a storefront adjacent to the Museum on Madison Ave. in Manhattan. Going one step further, content gleaned from NPR's Portable Radio Instruments (or PRIs) placed in cities across the US has been rebroadcast from the New York hub. NPR's motto is "If it's in the neighborhood and it makes noise, we hope to put it on the air" and its mission is to provide an alternative media platform at the community level - "access in excess."

Named by San Francisco Magazine "Best Super Local Radio Station," Neighborhood Public Radio (NPR) was founded in 2004 by multimedia artists and educators LeE Montgomery, Jon Brumit and Michael Trigilio. Acting as a traveling band of guerilla broadcasters, NPR personnel have hosted thematic broadcasts far and wide including in numerous galleries in San Francisco, at Chicago's Version 5 Festival (2005) and San Jose’s Zero1 Festival (2006) as well as various projects in Europe.
View the project in progress at www.neighborhoodpublicradio.org
Listen live here

Whitney Museum of American Art 2008 Biennial
The Whitney Museum of American Art in New York is the leading advocate of 20th and 21st Century American art. Since its founding in 1932, the Biennial has evolved into the Whitney’s signature exhibition and with its history of exhibiting the most promising and influential American artists and provoking intense critical and public debate, the Biennial has become the most prominent exhibition of modern American art in current times.

The 2008 Biennial, the seventy-fourth in the series of Whitney Annual and Biennial exhibitions held since 1932, presents eighty-one artists working at a time when art production is above all characterized by heterogeneity and dispersal. Many of the projects presented in the exhibition explore fluid communication structures and systems of exchange that index larger social, political, and economic contexts, often aiming to invert the more object-oriented operations of the art market. 
Whitney Museum of American Art
945 Madison Avenue at 75th Street 
March 6 through June 1
www.whitneybiennial.org

Tuesday, May 13, 2008

Gettin' Groovy with the Evolution Revolution

A little success: my output devices came today, or at least several of them arrived - enough to beta test.


I beta tested the large-projection output the other night and it worked and accomplishes what I want; that is, a visual comment on spatiality, on living space. It should work at Gansevoort Plaza very nicely.

The ground-level outputs wrangle both audio and video, which add a lot to the project- specifically giving the piece a location. A bonus: the audio output happens in real-time and in stereo- noticeable stereo.

Now what's left, aside from ongoing details of programming (this is a two-hour performance), is to continue programming my instruments and to compose for them. This is to preview in Weimar this coming Saturday. I'm going to be awake for several days.

In the meantime I'm distracting myself with Lancelot Link. I'm a sucker for three things: puns, wigs and chimpanzees. I don't know why. But Lance Link covers two out of three - chimps in wigs - are you kidding? This is comedy paradise!

Saturday, May 10, 2008

Carpal Tunnel


My hands and wrists are aching from programming. No kidding, I think I'm developing carpal tunnel and/or various other horrifying ailments related to long hours in front of the computer.

Have worked out many visual issues, some audio, but very behind. Preview in Weimar in one week, no material for that- panicked? Yes.

3 weeks until the Biennial closing with Ill Corr, not so panicked with visual under control, but still at a loss for what the audio should be. I know what I have, which isn't much. Not what I'd planned and not what I'd hoped for, and I'm still trying to figure out how to get that, but... until I have a crew to realize it, I am going to set it aside and wait for the next time.

So what happens now? I am giving the visual a beta test tonight, locally. We will see what comes of it. The difficulty is balancing spatial considerations with medial, with context. This is a live event, I won't project screen savers. This is a media event, I want to emphasize the live aspect. This is an event in public space, I don't want to contain the result or restrain the result within the limitations of the media I am using.

It's a balancing act, but I've found my footing.

It's good prep for The Thirsty Sword which will premiere either in San Francisco or Brno, Czeck Repub. this November, depending on when I finish it. Somewhere in there I will be composing the soundtrack to a documentary about Buchenwald.

This week's music picks: Christophe Willem Inventaire, mediated by Yuji Takahashi Real Time 8.

Friday, May 2, 2008

Nontoxic, Conforms to ASTM-D4236

Big progress. Have conquered the audio output issues, in multi-channel no less (!) using a series of analogue devices: clock radios.

Working with the analogue transmission of digitally manipulated/digital audio files